Overture (序曲) (1997 Digital Remaster)-Philharmonia Orchestra/Philharmonia Orchestra/Alceo Galliera
时长 : 06:41
这首《序曲》并不是罗西尼专门为歌剧《塞维利亚的理发师》写作的，它原是罗西尼为另一部名叫《伊丽莎白》的歌剧写的序曲。由于那部歌剧没有取得成功，而这首序曲活泼、欢快的音乐性格和《塞维利亚的理发师》内容十分吻合，因此作曲家就把它拿来作为这部歌剧的序曲，而听众们也乐于接受它。此曲处处体现了罗西尼歌剧序曲的典型特征。它以省去展开部的奏鸣曲式写成，首先是一段标为庄严的行板的引子，两声响亮的强奏和弦后，弦乐和大管悄悄地以细碎的音型向上模进，引出木管乐器同弦乐器的简短对话。这一切重复一遍后，响起了托维所说的那种为罗西尼本人所喜爱的“像踏步声一样单调的断奏和弦伴奏”，在这一富有戏剧性效果的伴奏背景上，双簧管吹出延绵不断的长音，它持续向上攀升，直到仿佛进入阳光照耀的高空，而低音部分的伴奏恰如它下方翻滚的浓云。小提琴在明媚的高音区唱出优美如歌的旋律，像灿烂的晴空般明澈辽阔，沁人心脾。在乐曲进入快板部分时，我们再次听到“像踏步声一样单调的断奏和弦伴奏”，由小提琴奏出的五个音的短促动机酷似生动的询问，在这一音型基础上建立起如急促对话般的第一主题。经过激烈的过渡后，双簧管和单簧管上出现了从容优雅的第二主题，其间点缀着活泼可爱的快速经过句。一段罗西尼式漫长的、激动人心的渐强将音乐从低声的絮语推向雄浑的高潮，当它平息之后，我们听过的“踏步”节奏以及两个主题相继再现，不同的是第二主题几乎在第一主题后接踵而至，它由原来的G大调改为第一主题的同名大调即E大调，配器上也变为单簧管、大管与圆号，令人倍感温暖。再次出现的渐强引出热烈宏大的尾声。作品的结尾部分非常宏伟、宽广而华美，整首序曲最后在狂欢的气氛中结束。
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Overture (序曲) (1997 Digital Remaster)-Philharmonia Orchestra/Philharmonia Orchestra/Alceo Galliera歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Overture (1997 Digital Remaster) | Philharmonia Orchestra&Alceo Galliera | Rossini: Il barbiere di Siviglia | 06:42 |
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| "I know that my Redeemer liveth" (soprano) [Highlights] [ed. Basil Lam] [1997 Digital Remaster] (1997 Digital Remaster) | Sir Charles Mackerras&English Chamber Orchestra&Ambrosian Singers&Elizabeth Harwood&Janet Baker&Robert Tear&Raimund Herincx | 50 Best Classics | 06:39 |
|
| O sole mio (1997 Digital Remaster) | Jussi Björling&Orchestra&Nils Grevillius | The Very Best of Jussi Björling | 03:15 |
|
| Di Capua: O sole mio (1997 Digital Remaster) | Jussi Björling&Orchestra&Nils Grevillius | Icon: Jussi Bjorling | 03:15 |
|
Overture (序曲) (1997 Digital Remaster)-Philharmonia Orchestra/Philharmonia Orchestra/Alceo Galliera热门评论
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