XIII. Agnus Dei (第十三乐章 羔羊赞)-Herbert von Karajan
HQ绪斯迈尔谱写的《羔羊经》从低音弦乐的伴奏开始，合唱的表现显得异常严肃、沉重，这段音乐被认为是最忠实于莫扎特原作精神的段落，最后，也许是遵循了老师的遗愿，绪斯迈尔将音乐交还给独唱女高音，他引用了《进台咏》中“永恒安息”的主题，使作品获得了统一，这大概也就是平庸的续写者能够对天才的开拓者尽到的最大的职责了吧，全曲最终在庄严、激越的赋格曲中结束。
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XIII. Agnus Dei (第十三乐章 羔羊赞)-Herbert von Karajan 同专辑其他歌曲
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- II. Romance, Andante-Herbert von Karajan
- III. Menuetto, Allegretto-Herbert von Karajan
- IV. Rondo, Allegro-Herbert von Karajan
- Requiem in D Minor, K. 626 - I. Introitus: Requiem (第乐章 进堂咏)-Herbert von Karajan
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- IV. Sequentia: Tuba Mirum (第四乐章 继抒咏：神奇号声)-Herbert von Karajan
- V. Sequentia: Rex Tremendae (第五乐章 继抒咏：赫赫君王)-Herbert von Karajan
- Requiem in D Minor, K. 626 - VI. Sequentia: Recordare (第六乐章 继抒咏：求你垂怜)-Herbert von Karajan
- VII. Sequentia: Confutatis (第七乐章 继抒咏：受判之徒)-Herbert von Karajan
- Requiem in D Minor, K. 626 - VIII. Sequentia: Lacrimosa (第八乐章 继抒咏：流泪之日)-Herbert von Karajan
- IX. Offertorium: Domine Jesu (第九乐章 奉献经：圣主耶稣)-Herbert von Karajan
- X. Offertorium: Hostias (第十乐章 奉献经：牺牲祈祷)-Herbert von Karajan
- XI. Sanctus-Herbert von Karajan
- XII. Benedictus-Herbert von Karajan
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