Liederkreis, Op. 39 - VIII. In Der Fremde-Charlotte de Rothschild/Adrian Farmer

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The form of "In der Fremde" is ambiguous: there are arguments that it is through-composed and that it is in the A–B–A form. The evidence that "In der Fremde" is through-composed is found in both the melody and the harmony. The harmonic pattern is inconsistent enough to be through composed: The piece modulates from F♯ minor, to A major, to B minor, then back to F♯ minor. Within each of these keys, the general structure is comparable, but the last significant section (mm 22–28) is strikingly different. With each modulation, the melody changes. The modulations are not directly congruent with the stanza changes, which points to a through-composed piece.

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