Liederkreis, Op. 39 - V. Mondnacht-Charlotte de Rothschild/Adrian Farmer

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It can be argued that the form of Mondnacht is strophic, with some slight deviations from the norm. The first two stanzas of the poetry are set to identical melodies in the vocal line, and there is also very strong similarity in the piano accompaniment, with only a few chords that differ. The digressions from the norm occur in the last stanza, where the vocal line varies in pitch, but retains the same rhythmic structure. Additionally, the repeated, blocked chords in the piano accompaniment become much thicker with the doubling of notes.

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