Sinfonia No. 12 in A Major - BWV 798 (A大调第12首多声部乐曲，BWV 798)-Glenn Gould
巴赫的二部创意曲是以一个短小的主题动机为材料，运用模仿、卡农、对位等手法进行变化发展、创造新意的小曲，多数以三个部分构成，少数为两个部分。正如巴赫在《1723年手稿》的序文中所指出，这些用于教学的作品是为了让“古钢琴的爱好者、学习者不但有能力把二声部演奏得美妙，而且在熟练之后，亦有能力正确、巧妙地演奏三声部。
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Sinfonia No. 12 in A Major - BWV 798 (A大调第12首多声部乐曲，BWV 798)-Glenn Gould歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Sinfonia No. 12 in A Major, BWV 798 | Glenn Gould | Bach: Two and Three Part Inventions and Sinfonias, BWV 772-801 [Great Performances] | 01:15 |
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| Sinfonia No. 12 in A Major, BWV 798 | Glenn Gould&Johann Sebastian Bach | Glenn Gould plays Bach | 01:14 |
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Sinfonia No. 12 in A Major - BWV 798 (A大调第12首多声部乐曲，BWV 798)-Glenn Gould热门评论
沙：A大调三部创意曲。这首乐曲乐观明朗。在1-2小节的核心材料中，包含三个不同性质的“细胞”：①、肯定的八分音符与十六分音符结合②、活泼的音程扩大③、平稳的音阶进行。第5小节高声部与中声部又产生两个新因素：附点与半音。第9-12小节将上述第①与第②材料结合模进，高声部与中声部运用材料①进行对话，低声部将材料②延伸扩展。效果甚佳（第21-23小节重复出现一次）。第18-19小节的高潮点相当动人，这是从第13小节开始由低点向高点逐级升腾的结果。
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