Brandenburg Concerto No. 6 in B Major, BWV 1051: III. Allegro-The Royal Festival Chamber Orchestra
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第一乐章，降B大调，2/2拍。第一乐章使用了极其精巧的模仿对位手法，开头的主题是由两把中提琴奏出的，两个完全相同的主题，相差一个八分音符的长度相继进入而同时演奏，令人想起歌德对于巴赫的评价，“仿佛听到创世之初上帝和自己的对话”。这个主题平和有力，而第二主题则更加生动，绵延的模仿对位产生了声部间相互追逐，相互交织的感觉。第一主题再次出现，出现了完全不同的色彩。巴赫不仅仅展示了他丰富的复调写作手法，同时也展现了他对于和声的把握能力。
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