Symphony No. 7 in A Major, Op. 92: III. Presto-Berlin State Opera Orchestra
SQ第三乐章，谐谑曲，预示了浪漫主义作曲家在谐谑曲方面许多神奇美妙的特点：轻快而十分戏谑的旋律进行、辉煌的配器、鲜艳的和声和调性效果。它充满着使人惊异的爆发性和动力性的对比，这倒不是由于它轻快的节奏、多变的乐队色彩以及情趣横溢的机智，而是由于各主题的绝妙联系和曲式上的高度完善。开头两小节的坚实笔触用细雨般的顿音加以对比。这个突然的对比在开头的小节(这时缩剩前面的四个音符)从弦乐组的低音区跳向高音区时.变得更为强烈。这时，妙趣横生的三声中部中两个音符构成的短小音型在木管的高音区中来回摆动，和主要部分呼应。三声中部本身即富有对比，它出其不意地从谐谑曲各主要段落中突现出来.它再一次地从头至尾再现。在本乐章的末端，当它好像还要作第三次反复时，被全乐队演奏的五个尖锐和弦打断，令人感到幽默的不耐烦。
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2009-08-28