Symphony No.4 in A minor, Op.63 - Sibelius: Symphony No.4 in A minor, Op.63 - 4. Allegro-Adelaide Symphony Orchestra/Arvo Volmer
SQ第四乐章，A小调。首先第一小提琴在A大调上奏出跨度很大的上行旋律，它同样包含了那个特别的音程——增四度。紧接着中提琴奏出它的变形(19小节)。在整个乐章中，它是其它主题材料的基本核心。其开始的四个音与交响曲最初的四个音几乎一样，这一特征无论在交响曲的发展过程中，还是作为对称平衡的首尾乐章，它都鲜明地被展现出来。终乐章的发展，正是依赖于这一基本材料。钟琴回应着中提琴的这个旋律，并继续发展、变形，然后在A大调的属和弦上衍生出新的旋律。西贝柳斯能够在完全冷静的感情中滋生出丰富多彩而富有幻想的效果。因此,在这里很难把它的音乐情绪或者意义规定下来，如果说它有什么特别意义的话，那么，除了伤感外，它包含了各种各样的情绪。这在第四乐章表现的尤为突出。之后，大提琴在B小调上奏出了连续八分音符的主题，实际上这个主题与前面中提琴陈述的核心片断相关系。调性再度回到A大调，各种乐器反复奏着核心片断的变形，逐渐融化在弦乐演奏的长达三十二小节的震音之中。似乎是回顾已经走过的旅程，又好象是在反思着什么，前面所有出现过的主题动机再度出现，在发展核心片断那三连音动机时，一个调性不明的插段进入，它与其它主题动机相互交替，调性摇弋起来。音乐时而激烈，时而温和，一会儿腾跃于汹涌澎湃的巨浪尖上，一会儿静卧在深深的海底。当法国号吹出降B持续音，并伴随钟琴悦耳的音响，在长强音之后，调性回复A大调。以上各主题，包括插段主题在内的各主题又一次的出现。配器大大地加重了，随着三支长号以ff力度的演奏，音乐在这里形成了全曲最大的高潮。此时，A大调转变为A小调，然后逐渐平静，一支长笛孤独地鸣响着。最后，弦乐奏出悬念般的切分动机，全曲结束。
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Symphony No.4 in A minor, Op.63 - Sibelius: Symphony No.4 in A minor, Op.63 - 4. Allegro-Adelaide Symphony Orchestra/Arvo Volmer歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Symphony No. 4 in A Minor, Op. 63: IV. Allegro | Adelaide Symphony Orchestra&Arvo Volmer | Sibelius: Complete Symphonies | 10:04 |
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Symphony No.4 in A minor, Op.63 - Sibelius: Symphony No.4 in A minor, Op.63 - 4. Allegro-Adelaide Symphony Orchestra/Arvo Volmer热门评论
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