Piano Concerto No. 2 in G Major, Op. 44: II. Andante non troppo-Odissey Dimitryadi
第二乐章，3/4拍，三部曲式。这个乐章中有制定的小提琴和大提琴独奏，与钢琴占同等地位，管弦乐方面显得收敛多了。由此有人认为柴可夫斯基是在模仿巴洛克协奏曲，以三重奏形式来写中间乐章。当然这种说法并无明确的根据。乐曲由弦乐器的合奏开始，独奏小提琴随后奏出引子主题，独奏大提琴也奏出互成对比的主题，小提琴和大提琴的二重奏持续发展，直至钢琴出现。中间部分转为b小调，由主部主题后半部分派生出的乐思加以展开，第三段是将主部予以变奏，乐曲在钢琴的连续滑奏与琶音声中结束。
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Piano Concerto No. 2 in G Major, Op. 44: II. Andante non troppo-Odissey Dimitryadi 同专辑其他歌曲
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