Impromptu No. 3 in G-Flat Major, Op. 51-Idil Biret
此曲采用降G大调，12/8拍，适当的速度，三部曲式。旋律柔美、雅致，深具美的魅力，但在肖邦的即兴曲中是最少被演奏的一首。尼克斯评说：“开头相对方向蛇行一般的二声部律动及旋律，使人想起《降A大调第一即兴曲》，不过两者个性截然不同。此曲开头有新鲜的特征，但在后面则完全是病态似的不安，有哀伤的特征。松懈无力的半音阶进行及三度、六度音之连续性摇动，使中段有很大的安宁感，且呈示了降D大调和弦的力与热，有着非常优异的雄辩效果。不过，这里还是有哀伤的半音阶经过音，而那些忧郁的、断断续续的伴奏一点也不快活。此曲虽非常优美，但整个在不健康、有待拯救的情绪中。”
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Impromptu No. 3 in G-Flat Major, Op. 51-Idil Biret 同专辑其他歌曲
- Ballade No. 1 in G Minor, Op. 23-Istvan Szekely
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- Ballade No. 4 in F Minor, Op. 52 (F小调第4号叙事曲，作品52)-Istvan Szekely
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- Nocturne No. 1 in B-Flat Minor, Op. 9 No. 1 (降B小调第1号夜曲，作品9 第1首)-Idil Biret
- Nocturne No. 2 in E-Flat Major, Op. 9 No. 2 (降E大调第2号夜曲，作品9 第2首)-Idil Biret
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- Nocturne No. 5 in F-Sharp Major, Op. 15 No. 2 (升F大调第5号夜曲，作品15 第2首)-Idil Biret
- Nocturne No. 6 in G Minor, Op. 15 No. 3 (G小调第6号夜曲，作品15第3首)-Idil Biret
- Nocturne No. 7 in C-Sharp Minor, Op. 27 No. 1 (升C小调第7号夜曲，作品27第1首)-Idil Biret
- Nocturne No. 8 in D-Flat Major, Op. 27 No. 2 (降D大调第八号夜曲，作品27号之2)-Idil Biret
- Nocturne No. 9 in B Major, Op. 32 No. 1 (B大调第9号夜曲，作品32第1首)-Idil Biret
- Nocturne No. 10 in A-Flat Major, Op. 32 No. 2 (降A大调第10号夜曲，作品32第2首)-Idil Biret
- Nocturne No. 11 in G Minor, Op. 37 No. 1 (G小调第11号夜曲，作品37第1首)-Idil Biret
- Nocturne No. 12 in G Major, Op. 37 No. 2 (G大调第12号夜曲，作品37第2首)-Idil Biret
- Nocturne No. 13 in C Minor, Op. 48 No. 1 (G小调第13号夜曲，作品48第1首)-Idil Biret
- Prelude No. 1 in C Major, Op. 28 (C大调前奏曲，作品28)-Idil Biret
- Prelude No. 4 in E Minor, Op. 28-Idil Biret
- Prelude No. 7 in A Major, Op. 28-Idil Biret
- Prelude No. 9 in E Major, Op. 28 (E大调前奏曲，作品28)-Idil Biret
- Prelude No. 15 in D-Flat Major, Op. 28 (降D大调前奏曲，作品28)-Idil Biret
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- Waltz No. 2 in A-Flat Major, Op. 34, "Grande Valse brillante"-Idil Biret
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- Waltz No. 6 in D-Flat Major, Op. 64, "Minute"-Idil Biret
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