Berceuse, Op. 57-Vladmir Feltsman
摇篮曲，作品57》，6/8拍，是肖邦创作的唯一的一首摇篮曲，他将这一古老的音乐题材加以艺术加工和提高，使之散发出夺目的光彩和诗意。曲中的和声、旋律以及伴奏音型都极其简单，只用了两个和弦，在不变的主音持续低音上，每一小节变换着主和弦与属和弦的和声，不断重复同一伴奏音型模仿摇篮摇动的节奏，这一音型不断重复了68次之多。最初的3次变奏，我们能清晰地听到摇篮曲的旋律在不断反复吟唱着，并在曲调下方加上了陪衬声部，使旋律音响更为丰富，后来的几个变奏，旋律的加花装饰越来越复杂。肖邦在这些变奏中，乐思如潮般自如地展开着，恰如其分地用上装饰音、花腔式的走句、颤音、或有时添上半音阶性上行的旋律，或变成华彩段落，使钢琴发出了丰富多彩的音响。直到第十变奏，乐思又回到开始时的摇篮曲的主题音调，这温柔的歌声绵绵不绝、缭绕耳边，犹如慈爱的母亲，轻轻推动着摇篮前后摇荡。最后，乐曲在充满抚爱的宁静气氛中结束。由于肖邦得心应手地不断运用钢琴化的旋律进行，使得乐曲内容非常充实。其主题变化重复达16次，但并不像一般的装饰变奏那样段落分明，而是将其织成一支自始至终连成一体的扣人心弦的抒情旋律。虽然肖邦用了各种“装饰”型的变体手法来改变这个带民间色彩的迷人的旋律，但始终保持音乐的总的温柔诗意、宁静安谧的“亲切”的性质。自从这首乐曲于1843年问世以来至今，在同类体裁的的钢琴作品中还未有可以相媲美的作品。肖邦把歌唱性的旋律在固定音型的伴奏烘托之下通过华丽的装饰加以变奏，而同时又保持了音乐自始至终宁静安谧的性质。这与其说是一首摇篮歌，不如说更像一首叙述孩子梦中仙境的富于诗意的故事。
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Berceuse, Op. 57-Vladmir Feltsman歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Berceuse, Op. 57 | Vladmir Feltsman | Chopin: Complete Noctures, Barcarolle, Berceuse | 05:10 |
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