Morceaux De Fantaisie, Op. 3: II. Prelude in C-Sharp Minor (The Bells of Moscow)-Kavanovich
这首长度不及五分钟的作品包含了大量八度和弦，且通常是左手完成一个势大力沉的低音和弦后，右手跟上若干高音区和弦，像极了莫斯科郊外傍晚钟鸣时的回响。另外，踏板的频繁使用又能在和弦间起到黏连与润滑的功用，愈发令到整首曲子听来有种四寂无人的空阔感。升c小调的旋律有起伏，整体看来也是偏重于沉黯和阴郁。与萧邦类似，拉赫玛尼诺夫推崇前奏曲的独立性，并在写作这些短曲子的过程中实践了自己对于钢琴这件乐器的研究和探索。
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Morceaux De Fantaisie, Op. 3: II. Prelude in C-Sharp Minor (The Bells of Moscow)-Kavanovich 同专辑其他歌曲
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