Introduction et rondo capriccioso, Op. 28 (A小调序曲和随想回旋曲 作品28)-Renaud Capuçon/Die Deutsche Kammerphilharmonie Bremen/Daniel Harding
SQ
专辑 :
Le Violon Roi
时长 : 08:49
这部作品采用“引子＋回旋曲式”结构，回旋部分主题A和插部依“ABACDACEBA”的次序穿插，主题A强烈而鲜明，经过反复出现而最终走向高潮。取名为“随想曲”，意为作者凭幻想而创作，性格活泼、形式自由，很大程度上具有即兴的意味。整支曲子荡漾着两种情绪，犹豫而苍凉和光彩照人时时交织在一起，在不同的乐段交互浮现，左右着听者的心情，热情与忧伤并存，抒情与叹息同在。圣桑将一对矛盾一一融在他的音乐中，非但不影响曲风的和谐性，反而使其相得益彰，凸现出圣桑独特的风格并略带一点人生观在里面。在弦乐器连续低音的衬托下，独奏小提琴缓慢地奏出“引子”部分的主旋律，优美雅致，又带有忧郁的色彩。它让我想到深夜巷子里孤独的流浪人独行，昏黄的路灯把他的影子投在石板路上。他必定是看到了自己的影子，他必然是感到了孤独，饱经风霜的心还有柔软的部分，这才有那饱蘸忧伤的旋律。或许他还是乐观的，或许是他的不愿追溯，小提琴在将那忧伤的语句演绎了两遍之后，便用两串快速而跳动的音符将种种忧伤带过，并引至主题。主题A已经出现，那个行走的影子荡然消散，在乐队给出的清晰的节奏中，独奏小提琴奏出强烈的颤音，引子的尾部给出了足够的暗示，每听至此仍不免为之一动。它像沉思之后的猛醒，又带有某种偏执。它是丰富的，它让不同的影像和不同的情绪叠加；它又是极富特点和形象鲜明的，一经入耳，永难忘却。插部B由主题A平缓过渡。此插部共出现两次，比较短小却比较重要，它与主题有明显对比。它是由全曲中最为轻快、最为愉悦的一段，略有些俏皮、乐队的气氛也不在那么严肃拘禁。短暂的插部B是有色彩的，它是那种明亮的金黄色，透露着阳光的信息，让人想起大片大片的向日葵。 气氛重新聚拢，回到主题A。A之后在鼓声强烈的节奏中转向插部C，这段乐曲恢弘而壮阔，稳重而成熟。行至插部D，悠扬的琴声让我形成些许憧憬，和浅浅的满足感，却在将有释怀之时感到一点预兆——再次到来的A略失从容，甚至夹杂一丝来自对暴风雨的惶恐。重而强烈的鼓点砸下来，C、E接连铺开，平和稳定，直到熟悉而明亮的B第二次出现，用我说不清是热情还是急躁的情绪鼓动着，推波助澜，步步逼近，最后一次再现的主题终于从低沉的背景音中浮现，而对奏小提琴快速而华丽的演奏将全曲推向高潮，小提琴的风华和洋溢的热情如华锦般徐徐展开，露其面目而光彩夺目、熠熠生辉。
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Introduction et rondo capriccioso, Op. 28 (A小调序曲和随想回旋曲 作品28)-Renaud Capuçon/Die Deutsche Kammerphilharmonie Bremen/Daniel Harding歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 (1987 Remastered Version) | Itzhak Perlman\\u0026Orchestre de Paris\\u0026Jean Martinon | The French Album | 09:18 |
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Introduction et rondo capriccioso, Op. 28 (A小调序曲和随想回旋曲 作品28)-Renaud Capuçon/Die Deutsche Kammerphilharmonie Bremen/Daniel Harding热门评论
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Introduction et rondo capriccioso, Op. 28 (A小调序曲和随想回旋曲 作品28)-Renaud Capuçon/Die Deutsche Kammerphilharmonie Bremen/Daniel Harding 同专辑其他歌曲
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Introduction et rondo capriccioso, Op. 28 (A小调序曲和随想回旋曲 作品28)-Renaud Capuçon/Die Deutsche Kammerphilharmonie Bremen/Daniel Harding相关歌曲
- Piano Concerto No.1 in B flat minor, Op.23 : Allegro non troppo e molto maestoso . Allegro con spirito-Dmitri Kitaenko
- Violin Concerto in D major, Op.35 : Allegro moderato-Dmitri Kitaenko
- Cello Concerto No. 2 in D Major, Hob. VIIb: 2 - Haydn/Cello Concerto No.2/II.Adagio (D大调第2大提琴协奏曲 - 第二乐章 柔板)-Mstislav Rostropovich/Academy of St. Martin in the Fields
- Cello Concerto No. 2 in D Major, Hob. VIIb: 2 - チェロ协奏曲 第2番 ニ长调 Hob.VIIb-2(作品101) 第3楽章:ロンド(アレグロ) (D大调第2大提琴协奏曲 - 第三乐章 回旋曲 - 快板)-Mstislav Rostropovich/Academy of St. Martin in the Fields
- I. Allegro maestoso (第一乐章 庄严的快板)-Dmitri Kitaenko/Moscow Philharmonic Orchestra/Evgeny Kissin
- Mendelssohn - Octet in E flat major, Op.20 - 3. Scherzo. Allegro leggierissimo-Wiener Oktett
- Impromptu No. 3 in G Flat, Op. 90 (D. 899)-Mstislav Rostropovich/Classical Artists
- Cello Sonata in G Minor, Op. 65 - III. Largo (G小调大提琴奏鸣曲，作品65 - 第三乐章 慢板)-Martha Argerich/Mstislav Rostropovich
Alexandre Rabinovitch
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Daniel Harding
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Louis Langree
/
정명훈
/
Yannick Nézet-Séguin
/
Renaud Capuçon
/
Alois Posch
/
Antoine Tamestit
/
Aude Capucon
/
Béatrice Muthelet
/
Emmanuel Pahud
/
Esther Hoppe
/
Florent Jodelet
/
Frank Braley
/
Gautier Capuçon
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Gérard Caussé
/
Janne Saksala
/
Jerome Ducros
/
Martha Argerich
/
Michel Dalberto
/
Mischa Maisky
/
Nicholas Angelich
/
Paul Meyer
/
Die Deutsche Kammerphilharmonie Bremen
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Gustav Mahler Jugendorchester
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Mahler Chamber Orchestra
/
Orchestra della Svizzera Italiana
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Rotterdam Philharmonic Orchestra
/
Scottish Chamber Orchestra
/
Wiener Philharmoniker
2013-02-25