24 Preludes, Op.11. No.15 in D flat major-Valery Kastelsky
该作品采用了平行大小调五度循环的顺序安排调性，这一点同肖邦的二十四首前奏曲完全一样，同样受到了巴赫十二平均律的影响，按照了十二平均律的半音顺序、同名大小调排列。在曲式结构上，斯克里亚宾的二十四首前奏曲吸取了肖邦前奏曲凝练的特点，只采用了乐段、单二部曲式、单三部曲式等小结构曲式形式，用这样的曲式结构形式来表达乐曲短小简洁的乐思是再合适不过了，不同的是斯克里亚宾的前奏曲在曲式的运用上略显灵活，相对肖邦来说更显复杂，主题呈示之后各部分发展相对自由。
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