I. Adagio sostenuto-Maria João Pires
SQ第一乐章情感的表现极其丰富，有冥想的柔情，悲伤的吟诵，也有阴暗的预感。虽然伴奏，主题和力度的变化不大，但仍通过和声，音区和节奏的变化，细腻地表现了作者心弦的波动。这首奏鸣曲包含着贝多芬最原始的构思。它那梦一般即兴的性质，探索钢琴音响共鸣的方式已预察到约一百年后德彪西的印象乐派。它所依据的题材很简单：乐曲一开始，由不断流出的三连音构造了无边的幻想，四小节后，第一主题在中音区淡淡地出现。它细致而沉静，略带些忧郁。1段1分18秒在B大调上出现了第二主题。中间部由第一主题开始。三连音曲折有致地走向高音区，呈现出急躁不安的情绪。随后，进入第三段，第一主题平静地再现，第二主题以升c小调的面目再现，然后以低音继续奏出基础动机的尾奏，慢慢地消失而结束。
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I. Adagio sostenuto-Maria João Pires歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Mosquito | João Pires | Lisboando | 03:52 |
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| Cinza | João Pires | Lisboando | 03:48 |
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| Lisboando II | João Pires | Lisboando | 05:18 |
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| Em Cada Regresso a Casa | João Pires | Lisboando | 03:25 |
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| Canção a Maria | João Pires | Lisboando | 03:56 |
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| III. Allegro assai | Maria-João Pires | Mozart: Piano Sonatas, K. 309, K. 332 & K. 570 | 09:50 |
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| III. Rondeau - Allegretto grazioso | Maria-João Pires | Mozart: Piano Sonatas, K. 309, K. 332 & K. 570 | 07:06 |
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| II. Andante cantabile | Maria-João Pires | Mozart: Piano Sonatas, K. 283, K. 284 & K. 330 | 06:55 |
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| Chopin : Waltz No. 3 in A Minor Op. 34 No. 2 | Maria-João Pires | The Classical Guide to Chopin | 05:18 |
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| Beethoven: Piano Sonata No. 14 in C-Sharp Minor, Op. 27, No. 2, 'Moonlight': I. Adagio sostenuto | Maria-João Pires | Beethoven's Adagios | 05:30 |
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