Adam: Giselle / Act 1 - No. 4 Retour des Vendangeurs - No. 4(bis) Valse-Wiener Philharmoniker/Herbert von Karajan

The following plot summary is that of the first performances in Paris with Grisi in the title role. The plot changed slightly in details as the years passed. The ballet opens on a sunny autumnal morning in the Rhineland during the Middle Ages. The grape harvest is in progress. Duke Albrecht of Silesia, a young nobleman, has fallen in love with a shy and beautiful peasant girl, Giselle, despite being betrothed to Bathilde, the daughter of the Duke of Courtland. Albrecht disguises himself as a humble villager called "Loys" in order to woo the innocent Giselle, who knows nothing of his true identity. With the help of his squire, Albrecht hides his fine attire and sword before coaxing Giselle out of her house to romance her as the harvest festivities begin. Hilarion, a local gamekeeper, is also in love with Giselle and is highly suspicious of the newcomer who has won Giselle's affections. He tries to convince the naive Giselle that her beau cannot be trusted, but she ignores his warnings. Giselle's mother, Berthe, is very protective of her daughter, as Giselle has a weak heart that leaves her in delicate health. She discourages a relationship between Giselle and Loys, and disapproves of Giselle's fondness for dancing. A party of noblemen seeking refreshment following the rigors of the hunt arrive in the village. Albrecht hurries away, knowing he would be recognized by Bathilde, who is in attendance. The villagers welcome the party, offer them drinks, and perform several dances. Bathilde is charmed with Giselle's sweet and demure nature, not knowing of her relationship with Albrecht. Giselle is honored when the beautiful stranger offers her a necklace as a gift before the group of nobles depart. The villagers continue the harvest festivities, and Albrecht emerges again to dance with Giselle, who is named the Harvest Queen. Hilarion interrupts the festivities. He has discovered Albrecht's finely made sword and presents it as proof that the lovesick peasant boy is really a nobleman