III. Adagio sostenuto - Appassionato e con molto sentimento (第三乐章 绵延的柔板 - 非常热情和充满感情的)-Jean-Bernard Pommier

The ternary-form slow movement, centered on F♯ minor, has been called, among other things, a "mausoleum of collective sorrow",[5] and is notable for its ethereality and great length as a slow movement (e.g. Wilhelm Kempff played for approximately 16 minutes and Christoph Eschenbach 25 minutes) that finally ends with a Picardy third. Paul Bekker called the movement "the apotheosis of pain, of that deep sorrow for which there is no remedy, and which finds expression not in passionate outpourings, but in the immeasurable stillness of utter woe".[6] Wilhelm Kempff described it as "the most magnificent monologue Beethoven ever wrote".[7] Structurally, it follows traditional Classical-era sonata form, but the recapitulation of the main theme is varied to include extensive figurations in the right hand that anticipate some of the techniques of Romantic piano music. NPR's Ted Libbey writes, "An entire line of development in Romantic music—passing through Schubert, Chopin, Schumann, Brahms, and even Liszt—springs from this music."

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III. Adagio sostenuto - Appassionato e con molto sentimento (第三乐章 绵延的柔板 - 非常热情和充满感情的)-Jean-Bernard Pommier歌曲下载

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III. Adagio sostenuto - Appassionato e con molto sentimento Jean-Bernard Pommier Ludwig van Beethoven: Sonaten Nr. 28 - 32, Vol. 4 16:46

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