III. Fuga. Moderamente scherzando, un poco umoristico-Vladimir Horowitz
The third movement is a four-voice fugue in 6/8. It includes a countersubject typical of permutation fugues, which, unusually, engages in dialogue with the subject. Several features of the fugue suggest that it represented a considerable advance for Bach, especially considering that there are middle entries as far as the mediant and the dominant of the dominant. Somewhat unusually for Bach, the fugue includes very few episodes, the longest being the coda of the piece, which is based on various style brisé figures.
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