10 Pieces from Romeo and Juliet, Op. 75: VI. Montagues and Capulets-Nikolai Lugansky
SQ第6首，《蒙太古与凯普莱特》由舞剧第一幕第一场(第7曲)《国王的命令》和第一幕第四场(第13曲)《骑士之舞》的音乐改编，E小调．4/4拍，结构为复三部曲式。这首乐曲表现的是蒙太古与凯普莱特两个封建家族的仇恨，也是阴暗压抑的中世纪的象征。两小节的引子之后，碑刻式笨重、威严的A主题：“骑士主题”，在快板速度上呈示出来。第1-10小节主题的节奏是坚定有力、一往无前的。波浪式起伏的附点音符琶音进行，充分展示了贵族骑士威风凛凛的气势。第七小节旋律中的不协和音程，象征着积有宿仇的两大家族之间的矛盾与冲突。左手四分音符固定音型的低沉伴奏烘托出冷酷、阴森的气氛。第19—22小节，左手在中音区以长号和大号的音色奏出B主题：“宿仇主题”。第19-22小节这一主题旋律是由D小调上下行音阶构成的连续八度音型，右手伴奏部分使用“骑士主题”的附点节奏型，二者构成了粗犷的音响效果，象征着两大家族剑拔弩张的紧张对立气氛，也显现出强烈的悲剧性。第47—78小节描写了朱丽叶与前来求婚的帕利斯伯爵共舞的情形。钢琴在高声部模仿长笛轻柔的音色，用中板速度以3/4拍奏出C主题——朱丽叶主题。第47—54节安静、轻盈的音乐表现了朱丽叶的柔美形象和帕利斯的彬彬有礼，并与前后两段“骑士之舞”主题严酷的气氛构成强烈的对比。从第63小节起，朱丽叶的主题旋律在中声部出现，高声部以连绵起伏的八分音符作衬腔旋律，这两个声部仿佛是温和悠扬的长笛二重奏，表达了朱丽叶对帕利斯淡然的态度。从第78小节起速度转回快板，再现了“骑士主题"之后以强有力的和弦结束全曲。
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10 Pieces from Romeo and Juliet, Op. 75: VI. Montagues and Capulets-Nikolai Lugansky歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| 10 Pieces from Romeo \\u0026 Juliet, Op. 75: VI. Montagues and Capulets | Nikolai Lugansky | 40 Most Beautiful Piano Classics | 03:58 |
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2011-06-28