Prelude, Op. 11 No. 16-Vladimir Horowitz
第16首，降B小调，创作于1895年，神秘、不可预测地。多变的节奏是此首前奏曲的演奏难点。它的多变体现在节奏细小的划分和不断变化的拍号上。这种速度节奏的灵活变化，往往最能体现演奏者对作品的理解水平和演奏水平。虽然在横向上节奏复杂多变，但在纵向上，两个声部同时进行，在第三十小节出现双手八度跳音同时进行，主题在低音区徘徊，此时的八度弹奏不再需要明亮恢弘的声音，要求触键短而浅并停止，让音乐透出一种机械而呆板的声音。另外，右手旋律部分小指的弹奏尽量短促，不要有拖长音的感觉，让音乐笼罩在一种阴森神秘的气氛中。
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