Opus 23, Ballade No. 1 In G Minor-Pennrose Classical Players
作品为奏鸣快板曲式，开头是个缓慢的引子，两手齐奏一个庄严的旋律，把我们带进了悲壮的史诗气氛中。奏鸣曲式的主部主题(第8小节起)，是一个典型的叙事性主题。好像是说唱的老艺人哈尔班边诉说着故事，边拨弄着他的四弦琴。忧伤的旋律把听者带到了那个被奴役的民族的苦难历史。随后华丽的音型，更增加了旋律的流畅性，其中包含了大量的经过音、变化音等多种手法，对原有的旋律进行了装饰，并很巧妙地融合为一体，即兴性和变换性很强，音域宽广。副部主题(第68小节起)表现了另外一种境界：温和、明朗、充满了抒情的气息，是没有硝烟的，没有战争的真实写照。展开部的主部(第95小节起)音乐已经由平静安详转变为紧张和不稳定，变成了一首热情激动的悲歌。副部主题(第107小节)显示出了英雄气概。交响化的音响，使音乐一下体现出了英雄形象。再现部(第167小节起)，副部主题先出来，仍然具有雄壮的气息，直到结束部(第181小节起)，激昂的音型才平静下来。随之而来的主部主题(第195小节起)，又开始紧张不安，并直接迎来暴风雨一般的尾声(第209小节起)。尾声最后一段双手八度半音阶下行，就好像是那无情的判决，最终收归为悲剧。
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