The Creation, Hob. XXI / 2 - Part I: 2. Now vanish before the holy beams (创世纪，作品21之2 - 第一部分：第2首 阴沉的黑夜在圣光的普照下消失了) (English Edition by Nicholas Temperley)-Philip Langridge/Cbso Chorus/City of Birmingham Symphony Orchestra/Sir Simon Rattle
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Haydn: The Creation
时长 : 03:48
继而出现的咏叹调和合唱，使得故事情节向前进一步的发展。海顿用合唱的形式来结束上帝创造的每一天，显示出他极大的独创性。优利尔(咏叹调)：阴沉的黑夜在圣光的普照下消失了，第一个白昼降临。混沌初开，上帝的意旨在执行，阴间的恶魔吓得乱飞不停，沉落到永远黑暗的深渊。合唱：他们一边沉落一边发出绝望的，狂怒的咒骂；在上帝的旨意下，一个新创造的世界诞生。优利尔的咏叹调是A大调富于旋律性的慢板，描绘出了混沌世界的终结。而阴间里恐惧惊慌魔鬼们的C小调不安的适中快板与之形成了生动而鲜明的强烈对比。上行和下行的快速半音阶勾画出魔鬼们的不安与焦躁，这种情绪贯穿了整个合唱部分。伴随着“他们一边沉落一边发出绝望的、狂怒的咒骂”一句的音乐中有半音音阶且烦乱的和声和转调。混乱过后，又重回到宁静的A大调，描绘出新世界的安宁。两种情绪都重复一次。优利尔的快板重复是简短的，最后在赞美新世界的合唱中结束了第一天。歌词的重复是合唱音乐的特点，这一点在十八世纪尤其突出。作曲家认识到，在产生某种情绪方面，音乐要比语言的传达速度慢。因而，他们一再地重复个别的词、句子、甚至是整首诗，使音乐有时间营造出适当的气氛与情绪。而这样的重复也使听众易于听清歌词。在这个特定例子中，海顿的作法是很有意思的——他在重复“一个新创造的世界”时改变了和声。
The Creation, Hob. XXI / 2 - Part I: 2. Now vanish before the holy beams (创世纪，作品21之2 - 第一部分：第2首 阴沉的黑夜在圣光的普照下消失了) (English Edition by Nicholas Temperley)-Philip Langridge/Cbso Chorus/City of Birmingham Symphony Orchestra/Sir Simon Rattle无损flac下载mp3下载
The Creation, Hob. XXI / 2 - Part I: 2. Now vanish before the holy beams (创世纪，作品21之2 - 第一部分：第2首 阴沉的黑夜在圣光的普照下消失了) (English Edition by Nicholas Temperley)-Philip Langridge/Cbso Chorus/City of Birmingham Symphony Orchestra/Sir Simon Rattle 在线试听歌词免费下载
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The Creation, Hob. XXI / 2 - Part I: 2. Now vanish before the holy beams (创世纪，作品21之2 - 第一部分：第2首 阴沉的黑夜在圣光的普照下消失了) (English Edition by Nicholas Temperley)-Philip Langridge/Cbso Chorus/City of Birmingham Symphony Orchestra/Sir Simon Rattle歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Part I: 2. Now vanish before the holy beams(English Edition by Nicholas Temperley) | Philip Langridge&Cbso Chorus&City of Birmingham Symphony Orchestra&Simon Rattle | Haydn: The Creation | 03:48 |
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The Creation, Hob. XXI / 2 - Part I: 2. Now vanish before the holy beams (创世纪，作品21之2 - 第一部分：第2首 阴沉的黑夜在圣光的普照下消失了) (English Edition by Nicholas Temperley)-Philip Langridge/Cbso Chorus/City of Birmingham Symphony Orchestra/Sir Simon Rattle热门评论
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