The Barber of Seville: Overture (塞维利亚的理发师：序曲)-Royal Philharmonic Orchestra
SQ序曲处处体现了罗西尼歌剧序曲的典型特征。它以省去展开部的奏鸣曲式写成，首先是一段标为庄严的行板的引子，两声响亮的强奏和弦后，弦乐和大管悄悄地以细碎的音型向上模进，引出木管乐器同弦乐器的简短对话。这一切重复一遍后，响起了托维所说的那种为罗西尼本人所喜爱的“像踏步声一样单调的断奏和弦伴奏”，在这一富有戏剧性效果的伴奏背景上，双簧管吹出延绵不断的长音，它持续向上攀升，直到仿佛进入阳光照耀的高空，而低音部分的伴奏恰如它下方翻滚的浓云。小提琴在明媚的高音区唱出优美如歌的旋律，像灿烂的晴空般明澈辽阔，沁人心脾。在乐曲进入快板部分时，我们再次听到“像踏步声一样单调的断奏和弦伴奏”，由小提琴奏出的五个音的短促动机酷似生动的询问，在这一音型基础上建立起如急促对话般的第一主题。经过激烈的过渡后，双簧管和单簧管上出现了从容优雅的第二主题，其间点缀着活泼可爱的快速经过句。一段罗西尼式漫长的、激动人心的渐强将音乐从低声的絮语推向雄浑的高潮，当它平息之后，我们听过的“踏步”节奏以及两个主题相继再现，不同的是第二主题几乎在第一主题后接踵而至，它由原来的G大调改为第一主题的同名大调即E大调，配器上也变为单簧管、大管与圆号，令人倍感温暖。再次出现的渐强引出热烈宏大的尾声。
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The Barber of Seville: Overture (塞维利亚的理发师：序曲)-Royal Philharmonic Orchestra歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| The Barber of Seville: Overture | Royal Philharmonic Orchestra | Grand Opera Gala | 07:31 |
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| The Barber of Seville: Overture | Royal Philharmonic Orchestra&Vittorio Gui | Rossini: The Barber of Seville, Overture, Karajan vs. Reiner vs. Gui vs. Leinsdorf vs. Galliera vs. Serafin vs. Toscanini (Compare 7 Versions) | 07:33 |
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