Piano sonata No. 6, in F Major, Op. 10, No. 2: II. Allegretto-Artur Schnabel
小快板，F小调，中间省略了慢板，但这第二乐章充分表达出贝多芬的个性，据贝加尔(Bekker)的说法，这个乐章以后孕育出了《第五交响曲》。其中第一段上层的二声部使用了5度卡农，第三段使用了切分音和倒过来的旋律线。
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