Symphony No. 6 in D Minor, Op.104: II. Allegretto moderato-Herbert von Karajan
第二乐章，没有按惯例那样是一个慢板乐章，这显然不同于别的交响曲。代替它的是一个小快板乐章。 首先，由两种在音色音区有着明显差异的木管乐器——长笛与大管奏出一串切分和声，造成空泛遥远的感觉。之后，在木管仍断断续续地延伸它们 时，小提琴奏出了第一个主题，这个主题在展开部中得到发展。展开部由中提琴奏出上例主题的后半部分开始，不久，在反复这一动机 之上，第一小提琴奏出这个主题的前半部分，而木管则继续吹着那摇弋的和声。音乐逐渐发展剧烈起来，密集的三连音形成一股强大的激流，势不可挡。 随后又发展成十六分音符为主要律动的部分。在接近结束部分时，对位手法的运用，各种音色交织融合，有如一条五彩缤纷的彩带在空中飞舞。最后， 以变格终止的方式结束在g小三和弦上。
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