Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio (A大调第7号交响曲，作品92 - 第四乐章 有活力的快板)-Georgian SIMI Festival Orchestra
末乐章，奏鸣曲式。托维在他的《音乐分析论文集》（Essays in Musical Analysis）里说到，这个乐章是“酒神的忿怒”。该乐章的尾声含有贝多芬作品中少见的fff（特特强）标记。该乐章高亢、充沛，有欢腾的气氛。其第二主题有着匈牙利舞曲的特征。弦乐部分的震音和出乎意料的休止都加重了快乐的意象。贝多芬在该乐章中，还用了极其先锋的七度和弦，并依然保持了稳定的效果。期间调性变化极具戏剧性；尾声则响亮、光彩逼人。
Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio (A大调第7号交响曲，作品92 - 第四乐章 有活力的快板)-Georgian SIMI Festival Orchestra无损flac下载mp3下载
Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio (A大调第7号交响曲，作品92 - 第四乐章 有活力的快板)-Georgian SIMI Festival Orchestra 在线试听歌词免费下载
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Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio (A大调第7号交响曲，作品92 - 第四乐章 有活力的快板)-Georgian SIMI Festival Orchestra歌曲下载
Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio (A大调第7号交响曲，作品92 - 第四乐章 有活力的快板)-Georgian SIMI Festival Orchestra热门评论
Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio (A大调第7号交响曲，作品92 - 第四乐章 有活力的快板)-Georgian SIMI Festival Orchestra 同专辑其他歌曲
- Symphony No. 5 in C Minor, Op. 67 "Schicksal" - I. Allegro con brio (C小调第5号交响曲，作品67“命运” - 第一乐章 有活力的快板)-Georgian SIMI Festival Orchestra
- Symphony No. 5 in C Minor, Op. 67 "Schicksal" - II. Andante con moto (C小调第5号交响曲，作品67“命运” - 第二乐章 有动态的行板)-Georgian SIMI Festival Orchestra
- III. Allegro-Georgian SIMI Festival Orchestra
- Symphony No. 5 in C Minor, Op. 67 "Schicksal" - IV. Allegro (E小调长笛与巴松管奏鸣曲,作品1034 - 第四乐章，快板)-Georgian SIMI Festival Orchestra
- Symphony No. 7 in A Major, Op. 92 - I. Poco sostenuto, vivace (A大调第7号交响曲，作品92 - 第一乐章 持续的行板，活泼的快板)-Georgian SIMI Festival Orchestra
- Symphony No. 7 in A Major, Op. 92 - II. Allegretto (A大调第7号交响曲，作品92 - 第二乐章 小快板)-Georgian SIMI Festival Orchestra
- Symphony No. 7 in A Major, Op. 92 - III. Presto (A大调第7号交响曲，作品92 - 第三乐章 急板)-Georgian SIMI Festival Orchestra
Symphony No. 7 in A Major, Op. 92 - IV. Allegro con brio (A大调第7号交响曲，作品92 - 第四乐章 有活力的快板)-Georgian SIMI Festival Orchestra相关歌曲
- Symphony No. 6 in F Major, Op. 68 - "Pastoral" - V. Allegretto-The Cavendish Orchestra
- Piano Sonata No. 13 in E-Flat Major, Op. 27, No. 1 - II. Allegro molto vivace-Jenő Jandó
- Allegro Assai - Adagio - Piu Allegro (甚快板 - 柔板 - 更快的快板)-John Ogdon
- 汤马斯与阿兰-科文特花园皇家歌剧院管弦乐团
- II. Adagio Molto-Vladimir Ashkenazy
- "Feuerfest" - Polka Francaise, Op. 269-Wiener Johann Strauss Orchester
- Scene in the Country-Charles Münch
- Piano Sonata No.9 Op.14 No.1 in E Major - Rondo - Allegro comodo-Yukio Yokoyama/Charles Rosen/Vladimir Horowitz/Justus Frantz
- Barcarolle aus Hoffmans Erzählungen-Moszkowski
- Symphonie Fantastique, Op. 14; Reveries Passions-Charles Münch
- IV. Rondo - Poco Allegretto e Grazioso-Vladimir Ashkenazy
- III. Menuetto - Allegro vivace, Un poco menu allegro (第三乐章 小步舞曲 - 活泼的快板)-Paul Kletzki/Czech Philharmonic Orchestra
- Prokofiev Etudes, Op. 2, Nos. 1-3-Yuri Blinov
- Cour D'Amours: Circa Mea Pectora-Eugene Ormandy
- Symphony No. 3 In E-Flat Major, Op. 55 "Eroica" - I. Allegro Con Brio (第一乐章 有活力的快板)-London Symphony Orchestra/Josef Krips
- Peer Gynt (incidental music): No. 19 Solveigs sang/Solveig's song (Solveig)-Camilla Tilling
- Nimrod-Royal Philharmonic Orchestra
- Overture - Adagio,Allegro molto con brio (序曲 - 柔板，)-Lithuanian Chamber Orchestra/Karl Anton Rickenbacher
- Overture (Suite) No. 2 in B Minor, BWV 1067 - I. Ouverture-Cologne Chamber Orchestra/Helmut Müller-Brüh
- Josquin Desprez - Pater noster-The Hilliard Ensemble
