Chromatic Fantasia and Fugue in D Minor, BWV 903: II. Recitativo-Christiane Jaccottet
SQ《D小调半音阶幻想曲与赋格，作品903》听起来在整体上确实有着很强的即兴风格，近似爆发式的激情释放，和非常直接的情感倾诉，常常让人想到浪漫主义的表达方式，尽管与之所使用的手法不同，但所取得的效果却如此接近。作品的“幻想曲”部分以一个极长、极宽广的呈示为始，它引导出无尽诗意的感受，旋律紧接着变得密集而连绵不绝，奔放而炽烈如火，音乐的节奏异常自由，在激荡起伏行进中的律动全然没有规则，快速的音阶、颤音和琶音奔腾而来，音符如倾泻而出，让人产生一种幻觉，似乎这音乐是任凭手指在琴键上自由弹奏的。高音与低音、柔和与响亮、轻快与沉重、忧伤与明朗之间的大量对比和转变，以及大胆的转调，使音乐始终保持着足够的戏剧性的张力。作品的“赋格”部分依旧保持着半音色彩，有着深刻的情感因素，而与前一部分形成对比的是，它开始时所表现出的巴罗克式的典雅，然而随着“赋格”的展开，激动的情绪逐步地增长，音乐产生出十分动人的效果。在“赋格”这种严格的形式中体现出情感色彩，的确并非容易的事情，但是巴赫却经常能够在自己的作品中完美地做出这种效果来，《半音阶幻想曲与赋格》就是一个极其出色的例子，尤其是“赋格”的尾部，极具创作想象力，它通过开始时的最简单的素材，经过各种富于逻辑性的不间断的变化发展，形成了一个复杂而庞大的结构，最终穿过阴暗的色调，抵达光辉灿烂结尾，与“幻想曲”开始时的澎湃激情遥相呼应。——有人这样评价说：“在这里，作曲家以他的意志征服了非常丰富的一片领域。”
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Chromatic Fantasia and Fugue in D Minor, BWV 903: II. Recitativo-Christiane Jaccottet 同专辑其他歌曲
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Chromatic Fantasia and Fugue in D Minor, BWV 903: II. Recitativo-Christiane Jaccottet相关歌曲
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2016-09-22