III. Allegro (第三乐章 快板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Irena Grafenauer
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第三乐章，末乐章是一首步态轻盈的回旋曲，它所根据的是歌剧《后宫诱逃》的主题，是剧中最明媚的灵感的源泉——歌剧中勃隆德的热情洋溢的歌《何等幸福，何等快乐》，她在这首歌中盼望她所热恋的佩德里洛来救她出宫。这个选句由长笛的仙乐般的音色吹出后，立即由乐队接下去。独奏长笛吹奏的第一个插段，好象是最初的选句的再现，但很快就用琶音和音阶向其他方面岔开去。乐队间断地加入，但在长笛尚未到达高潮性的华彩段之前，乐队早以成为它的快乐而听话的奴仆，乖乖地退居幕后，这主要是为了同迷人的独奏声部的感情相呼应而插入。
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- II. Andantino (第二乐章 小行板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Irena Grafenauer/Maria Graf
- III. Rondeau - Allegro (第三乐章 回旋曲 - 快板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Irena Grafenauer/Maria Graf
- I. Allegro maestoso (第一乐章 庄严的快板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Irena Grafenauer
- II. Adagio non troppo (第二乐章 不太慢的柔板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Irena Grafenauer
- III. Rondo - Tempo di menuetto (第三乐章 回旋曲 - 小步舞曲的速度)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Irena Grafenauer
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- Clarinet Concerto in A Major, KV 622 - III. Rondo - Allegro (A大调单簧管协奏曲，作品622 - 第三乐章 回旋曲 - 快板)-Neville Marriner/The Academy of St. Martin in the Fields/Karl Leister
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- II. Andante ma Adagio (第二乐章 缓慢的行板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Klaus Thunemann
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- I. Allegro, KV 412 (第一乐章 快板，作品412)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Peter Damm
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- II. Andante (第二乐章 行板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Peter Damm
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- II. Romanze - Larghetto (第二乐章 浪漫曲 - 小广板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Peter Damm
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- I. Allegro moderato (第一乐章 有节制的快板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Peter Damm
- II. Romanza - andante (第二乐章 浪漫曲 - 行板)-Sir Neville Marriner/The Academy of St. Martin in the Fields/Peter Damm
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- II. Adagio (第二乐章 柔板)-Classical Artists
- III. andantino con variazioni (第三乐章 变奏式小行板)-Classical Artists
- I. Allegro aperto (第一乐章 开朗的快板)-Heinz Holliger/The Academy of St. Martin in the Fields
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