Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando-La Chambre Philharmonique/Emmanuel Krivine
HQ第二乐章，虽然速度较快，却担当该交响曲中“慢乐章”的角色，尽管并非传统的那样抒情而富有歌唱性。该乐章情绪轻松幽默，速度相对一般慢乐章而言也较快。与第7号交响曲第二乐章一样，此乐章以一个6-4和弦开头，但更多的是起到玩笑一样的效果。此乐章为降B大调，F大调之下属调。结构被评论家查尔斯·罗森称作“慢乐章的奏鸣曲式”，意谓在呈示部之后并无明显的发展部，而是简单地模进回降B大调，为紧接着的再现部做准备。这也可以被称作是小奏鸣曲式。此乐章开头，木管乐器不停地断奏连续的十六音符节奏型，并一直固定地进行，贯穿整个乐章。普遍认为，此固定节奏是对节拍器的戏仿(当时节拍器刚刚被贝多芬的朋友约翰·马伊尔泽尔完善);然而，该论点一直受到争议。节拍器一般的机械节奏已经被海顿在其第101号交响曲“钟”中模仿，贝多芬或许得到了类似的灵感，对新节拍器有所加快的节奏进行调侃。第二主题有一极为迅速的六十四音符动机，也许与一个有些故障的节拍器发出的声音相仿。该动机在尾声末部再次由乐队齐奏。
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