The Girl with the Flaxen Hair-Piano Sleep
创作这首同名钢琴曲时，作者自然回到了早期的音乐风格上，但又包含了后来许多成熟的因素。乐曲一开始就呈现出清新而优美的具有五声调式特点的主题，流畅的旋律和着轻松的的三拍子节奏微微起伏，温柔宁静中透出少女那充满憧憬和幻想的微笑。在四度、五度并行的和弦组成的调式和声形成的和谐气氛中，这一抒情的主题进一步发展和再现，最后在清新柔美的气氛中结束。整首作品短小精致，细腻入微，委婉动人，汇集了印象主义音乐的突出特点。尽管这首歌曲后来并没有被出版,但是诗中的少女形象却给德彪西留下深刻的印象.在事隔28年之后的1910年,他又采用歌曲的原标题创作了这首钢琴曲.整首作品短小,精练,通过具有东方色彩的五声音调,刻画出一位清纯的少女形象.主题旋律线条清晰,富于歌唱性,音乐轻柔,飘逸,朦胧,是典型的"印象主义"音乐风格.
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The Girl with the Flaxen Hair-Piano Sleep 同专辑其他歌曲
- Scenes from Childhood, Op. 15: VII. Dreaming-Piano Sleep
- Love Me-Piano Sleep
- Metamorphosis: Metamorphosis Two-Piano Sleep
- Dawn-Piano Sleep
- Images, Book 2, L. 111: No. 1. Cloches À Travers Les Feuilles-Piano Sleep
- Metamorphosis: Metamorphosis Five-Piano Sleep
- Gnossiennes: No. 7-Piano Sleep
- Interlude-Piano Sleep
- Dietro Casa-Piano Sleep
- Sixteen Waltzes, Op. 39 No. 15 in A-Flat Major-Piano Sleep
- Piano Sonata No. 16 in C Major, K. 545: II. Andante-Piano Sleep
- Gnossiennes: No. 4-Piano Sleep
- Close Cover-Piano Sleep
- Gnossiennes: No. 1 - Lent-Piano Sleep
- These Old Habits-Piano Sleep
- Ambre-Piano Sleep
- Prologue-Piano Sleep
- River Flows in You-Piano Sleep
- The Mood That Passes Through You-Piano Sleep
- See You on the Other Side-Piano Sleep
- An Unwelcomed Friend-Piano Sleep
- Tomorrow's Song-Piano Sleep
- Una Mattina-Piano Sleep
- Poem-Piano Sleep
- Berlin Song-Piano Sleep
- Bright Lights-Piano Sleep
- Falling Through the Clouds-Piano Sleep
- Piano Sonata No. 11 in a Major, K. 331: I. Andante Grazioso-Piano Sleep
- Gnossiennes: No. 5-Piano Sleep
- Together We Will Live Forever-Piano Sleep
