Duet (Soprano And Contralto)-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
虽然《圣母悼歌》的音乐动人，充满了矛盾和冲突，正如罗西尼的歌剧“威廉•退尔”一样。但在风格上则还不同歌剧——他使用了复调结构，属清唱剧。至于歌剧常用的咏叹调、二重唱等表现手法也常使用，这些美妙的歌声经常出现。但整体上，这作品所处处体现的内在的宗教感情，在他的其它作品中是没有的。比较出色的篇章包括男高音独唱《透过她的心，悲哀得分享》，罗西尼宗教气氛浓厚的唱词写得生气勃勃。合唱曲《啊，母亲，爱之源泉》，则是富有表现力的早期教堂风格无伴奏合唱。女高音重唱《让我直至最后一口气》优美动人，该作品蒙上了一层悲剧氛围。合唱《当我的身驱腐朽》是罗西尼才华横溢的创作之一。终曲合唱《阿门》宏大庄严的赋格使人留下深刻印象。
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Duet (Soprano And Contralto)-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar 同专辑其他歌曲
- Introduction / Chorus And Quartet-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Aria: Cujus Animam-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Aria (Bass)-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Chorus And Recitative (Bass)-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Quartet: Sancta Mater-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Cavatina (Contralto)-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Aria (Soprano) And Chorus-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Chorus (合唱) (Part 1)-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
- Chorus (合唱) (Part 2)-Berlin Symphony Orchestra/Josef Traxel/Betty Allen/Pilar Lorengar
