Suite No. 1 In G Major BWV 1007: Prélude-Phoebe Carrai
第一号组曲——“明亮”
如同人天生而单纯的呼吸的结构，乐句产生出的能量（吸气）直到它企及某一点时而开始放松（呼气）——一种产生与消退的过程。巴赫概念中的美丽与辉煌就在于实际上这些前奏曲都不利用旋律的这个事实，在那里只有组织，结构与韵律——形式与色彩的鲜明。巴赫不需要旋律，他的作品是以美的概念写成的：干净的组织与音调的色彩。我不喜欢他们很悲剧地企图去强调一个不存在的旋律，这是个很傻的想法。如果他需要旋律，巴赫自己就可以写出更加无比美丽的旋律。
当然一个人可以无休无止地去分析巴赫的音乐，你可以分析每个音符、每个乐句、和弦、旋律与对位法——所有音乐提供出的、还有存在于真实声音中的事物。无论如何，我只是希望专注于一些小细节，藉此解释巴赫理念的深度，同时指出这些音乐浑然天成的单纯。
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Suite No. 1 In G Major BWV 1007: Prélude-Phoebe Carrai歌曲下载
| 歌曲 | 歌手 | 专辑 | 时长 | 歌曲下载 |
|---|---|---|---|---|
| Suite No. 1 In G Major BWV 1007: Prélude | Phoebe Carrai | J.S. Bach: The 6 Cello Suites | 02:49 |
|
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Suite No. 1 In G Major BWV 1007: Prélude-Phoebe Carrai 同专辑其他歌曲
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- Suite No. 1 In G Major BWV 1007: Menuet I & II-Phoebe Carrai
- Suite No. 1 In G Major BWV 1007-Phoebe Carrai
- Suite No. 2 In D Minor BWV 1008: Prélude-Phoebe Carrai
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- Suite No. 2 In D Minor BWV 1008: Sarabande-Phoebe Carrai
- Suite No. 2 In D Minor BWV 1008: Menuet I & II-Phoebe Carrai
- Suite No. 2 In D Minor BWV 1008: Gigue-Phoebe Carrai
- Suite No. 3 In C Major BWV 1009: Prélude-Phoebe Carrai
- Suite No. 3 In C Major BWV 1009: Allemande-Phoebe Carrai
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- Suite No. 3 In C Major BWV 1009: Bourrée I & II-Phoebe Carrai
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- Suite No. 4 In E Flat Major BMV 1010: Prélude-Phoebe Carrai
- Suite No. 4 In E Flat Major BMV 1010: Allemande-Phoebe Carrai
- Suite No. 4 In E Flat Major BMV 1010: Courante-Phoebe Carrai
- Suite No. 4 In E Flat Major BMV 1010: Sarabande-Phoebe Carrai
- Suite No. 4 In E Flat Major BMV 1010: Bourrée I & II-Phoebe Carrai
- Suite No. 4 In E Flat Major BMV 1010: Gigue-Phoebe Carrai
- Suite No. 5 In C Minor BMV 1011: Prélude-Phoebe Carrai
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- Suite No. 5 In C Minor BMV 1011: Gigue-Phoebe Carrai
- Suite No. 6 In D Major BMV 1012: Prélude-Phoebe Carrai
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