Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 6 Aria di Don Profondo - "Vedeste il Cavaliere?"-Luciana Serra/William Matteuzzi/Ruggero Raimondi/Enzo Dara
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Il Viaggio A Reims
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Act 1, Scene 1: Introduction, The housekeeper Maddalena is unhappy with the preparations made by the servants for the arrival of the important people who are travelling to Reims for the coronation of Charles X of France. ("Presto, presto ... su, corraggio") The servants repudiate her assertions. The hotel's doctor, Don Prudenzio, announces that, because of the impending arrivals, the normal business of the spa will be suspended. The spa attendants rejoice and depart. He checks with Antonio that his instructions about the necessary meals for the visitors have been followed. Madame Cortese, the proprietress of the hotel, appears. She regrets that she will be unable to attend the coronation ("Di vaghi raggi adorno"), but is keen to show off the hotel to the visitors in the hope that they will return some day to take the waters. She particularly requests that everyone should be enthusiastic about each of the travellers' specific interests. Everyone agrees, and she is left alone. Scene 2: The Countess of Folleville's arrival. The Countess calls for her maid, Modestina, and Madame Cortese goes to search for her. Modestina appears, and the Countess, worried that her clothes have not yet arrived, asks why there has been no reply to a letter that she had sent. Modestina had entrusted the letter to the Countess's cousin, Don Luigino, who immediately arrives to say that the stagecoach which he had hired to carry the boxes had overturned on the way. The Countess faints and Don Luigino calls for help. Maddalena, Antonio, Don Prudenzio and the servants arrive, together with Baron Trombonok. Don Prudenzio and the Baron argue about how to resuscitate the Countess, but she recovers sufficiently to lament the loss of her garments. ("Partir, o ciel! desio") However, when Modestina appears with a large box containing a beautiful Paris bonnet, she rejoices that it, at least, has been saved from the accident. ("Che miro! Ah! Quel sorpresa!") Everyone is amused by this sudden turn of events, and all except Antonio and the Baron depart. Scene 3: Sextet, After agreeing with the Baron the arrangements for party's departure in the evening, Antonio leaves. The Baron cannot help laughing at the Countess's sudden recovery and the insanity of the world in general. He is joined by Don Profondo, Don Alvaro, the Marquise Melibea, Count LiNon pavento alcun periglio") A harp prelude is heard, and the poetess Corinna sings offstage of brotherly love, to everyone's delight. ("Arpa gentil")
Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 6 Aria di Don Profondo - "Vedeste il Cavaliere?"-Luciana Serra/William Matteuzzi/Ruggero Raimondi/Enzo Dara无损flac下载mp3下载
Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 6 Aria di Don Profondo - "Vedeste il Cavaliere?"-Luciana Serra/William Matteuzzi/Ruggero Raimondi/Enzo Dara 在线试听歌词免费下载
Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 6 Aria di Don Profondo - "Vedeste il Cavaliere?"-Luciana Serra/William Matteuzzi/Ruggero Raimondi/Enzo Dara歌曲下载
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Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 6 Aria di Don Profondo - "Vedeste il Cavaliere?"-Luciana Serra/William Matteuzzi/Ruggero Raimondi/Enzo Dara热门评论
Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 6 Aria di Don Profondo - "Vedeste il Cavaliere?"-Luciana Serra/William Matteuzzi/Ruggero Raimondi/Enzo Dara 同专辑其他歌曲
- No. 1 Introduzione "Presto, presto, su coraggio!"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Nicoletta Curiel
- No. 1 Introduzione "Benché, grazie al mio talento"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Giorgio Surian
- No. 1 Introduzione - Aria di Madama Cortese "Di vaghi raggi adorno"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Cheryl Studer
- No. 1 Introduzione - "Or state attenti, badate bene"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Nicoletta Curiel
- No. 1 Introduzione - "Partire io pur vorrei"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Luciana Serra
- No. 2 Recitativo e Aria - "Ahimè! Sta in gran pericolo"-Claudio Abbado/Berliner Philharmoniker/Luciana Serra/Enzo Dara/Giorgio Surian/Guglielmo Mattei
- No. 2 Recitativo e Aria - "Partir, o ciel! desio"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Luciana Serra
- No. 2 Recitativo e Aria - "Che miro! ah! qual sorpresa!"-Claudio Abbado/Berliner Philharmoniker/Luciana Serra/Enzo Dara/Lucia Valentini-Terrani/Samuel Ramey
- No. 2 Recitativo e Aria - "Grazie vi rendo, o Dei!"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Luciana Serra
- No. 2 Recitativo e Aria - "Eh! senti, mastro Antonio"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Claudio Otelli
- No. 3 Sestetto - "Si, di matti una gran gabbia"-Claudio Abbado/Berliner Philharmoniker/Lucia Valentini Terrani/Cheryl Studer
- No. 3 Sestetto - "Non pavento alcun periglio"-Claudio Abbado/Berliner Philharmoniker/Lucia Valentini Terrani/Cheryl Studer/William Matteuzzi/Ruggero Raimondi
- No. 3 Sestetto - Aria di Corinna "Arpa gentil, che fida"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Sylvia McNair
- No. 3 Sestetto - "Simbol di pace e gloria"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Sylvia McNair
- No. 3 Sestetto - "Gelsomin non ritorna"-Claudio Abbado/Berliner Philharmoniker/Cheryl Studer
- No. 4 Scena e Aria - "Ah! perche la conobbi?"-Claudio Abbado/Berliner Philharmoniker/Samuel Ramey
- No. 4 Scena e Aria - "Invan strapper dal core"-Claudio Abbado/Berliner Philharmoniker/Samuel Ramey
- No. 4 Scena e Aria "Come dal ciel"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Samuel Ramey
- No. 4 Scena e Aria "Dell'alma diva"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin/Samuel Ramey
- Scena XIII, "Milord, una parola"-Claudio Abbado/Berliner Philharmoniker/Ruggero Raimondi
- No. 5 Recitativo e Duetto di Corinna e del Cavaliere - "Sola ritrovo alfin la bella Dea"-Claudio Abbado/Berliner Philharmoniker/Sylvia McNair/Raul Gimenez
- No. 5 Recitativo e Duetto di Corinna e del Cavaliere - "Nel suo divin sembiante"-Sylvia McNair/Raul Gimenez/Claudio Abbado/Berliner Philharmoniker
- No. 5 Recitativo e Duetto di Corinna e del Cavaliere - "Dunque non v'e speranza?"-Sylvia McNair/Raul Gimenez/Claudio Abbado/Berliner Philharmoniker
- No. 5 Recitativo e Duetto di Corinna e del Cavaliere - "Bravo il signor Ganimede!"-Ruggero Raimondi/Claudio Abbado/Berliner Philharmoniker
- No. 6 Aria di Don Profondo - "Io! Don Profondo"-Ruggero Raimondi/Claudio Abbado/Berliner Philharmoniker
- No. 7 Gran Pezzo Concertato a 14 Voci - "Ah! A tal colpo inaspettato"-Claudio Abbado/Berliner Philharmoniker/Rundfunkchor Berlin
- Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 7 Gran Pezzo Concertato a 14 Voci - "Signor, ecco una lettera"-Luciana Serra/Cheryl Studer/William Matteuzzi/Samuel Ramey
- Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 7 Gran Pezzo Concertato a 14 Voci - "Fra dolci e cari palpiti"-Sylvia McNair/Lucia Valentini Terrani/Cheryl Studer/William Matteuzzi
- Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 7 Gran Pezzo Concertato a 14 Voci - "Savio della Contessa il consiglio mi pare"-Lucia Valentini Terrani/Luciana Serra/Cheryl Studer/Raul Gimenez
- No. 8 Scena e Duetto del Conte e della Marchesa - "Di che son reo?"-Lucia Valentini Terrani/William Matteuzzi/Claudio Abbado/Berliner Philharmoniker
Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 6 Aria di Don Profondo - "Vedeste il Cavaliere?"-Luciana Serra/William Matteuzzi/Ruggero Raimondi/Enzo Dara相关歌曲
- Introduction Allegro VI Rha Theme-Mikhaïl Pletnev
- Symphony No. 5 in C Minor, Op. 67 - I. Allegro con brio (C小调第5号交响曲,作品67 - 第一乐章 有活力的快板)-Wiener Philharmoniker/Georg Solti
- No. 1 in C major-Mikhaïl Pletnev
- Beethoven Ludwig van Symphony No 5 in C minor op 67 Allegro-Solti
- Mozart: Fantasía en Do Menor, KV 396-Walter Gieseking
- Zigeunerweisen (萨拉萨蒂:流浪者之歌)-Gerhard Taschner/Walter Gieseking
- Children's Corner, L. 113: I. Doctor Gradus ad Parnassum-Walter Gieseking/Achille-Claude Debussy
- Le nozze di Figaro, K. 492 - Act 1 - "Cinque... deci... venti..." - "Cosa stai misurando" (费加罗的婚礼,作品492)-Samuel Ramey/Lucia Popp/London Philharmonic Orchestra/Georg Solti
- Le nozze di Figaro, K. 492 - Act 1 - "La vendetta" - "Tutto ancor non ho perso" (费加罗的婚礼,作品492)-Kurt Moll/Jane Berbie/Lucia Popp/London Philharmonic Orchestra/Georg Solti
- Piano Sonata No. 31 in A-Flat Major, Op. 110 - II. Allegro molto-Walter Gieseking
- The Snow Maiden Suite: IV. Danse des bouffons (Dance of the Clowns)-Mikhaïl Pletnev/Russian National Orchestra
- La traviata / Act 1 - Act 1 - Prelude (茶花女 - 第一幕 - 前奏曲) (Live at London, 1994)-Orchestra of the Royal Opera House, Covent Garden/Georg Solti
- Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 9 Finale - Canzone Spagnola "Omaggio all'Augusto Duce"-Samuel Ramey/Enzo Dara/Lucio Gallo/Claudio Abbado
- Il viaggio a Reims - Dramma giocoso in un atto - Highlights - No. 9 Finale - "Corinna, or spetta a voi"-Cheryl Studer/Ruggero Raimondi/Samuel Ramey/Sylvia McNair
- Messa da Requiem - Dies irae (愤怒之日)-Claudio Abbado/Classical Artists
- 2. The Enemy God and the Dance of the Spirits of Darkness-Claudio Abbado/Chicago Symphony Orchestra
- La Traviata / Act 1 - Verdi: La Traviata / Act 1 - "Sempre libera"-Anna Netrebko/Saimir Pirgu/Mahler Chamber Orchestra/Claudio Abbado