Lawrence English热门歌曲下载
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End Game SQ | For Varying Degrees of Winter | 07:14 |
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I've Been Happy Like This | 06:53 | |
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Two Weeks I'll Never Have Again | 08:27 | |
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Relocated (UTC) | 05:10 | |
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Within Confines of Glass SQ | 05:39 | |
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Approaching Nothing | Approaching Nothing | 30:31 |
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Amanita inaurata | For / Not For John Cage | 04:51 |
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Hygrophorus russula SQ | For / Not For John Cage | 05:35 |
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Otidea onotica | For / Not For John Cage | 04:12 |
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Entoloma abortivum | For / Not For John Cage | 06:14 |
Lawrence English最新专辑下载
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Selene
2024-05-31
Thela
2024-03-26
For / Not For John Cage
2012-09-18
A Colour For Autumn
2009-03-03
Acute Inbetweens
2011-03-15
Lawrence English歌手简介
Lawrence English is media artist, composer and curator based in Australia. Working across an eclectic array of aesthetic investigations, English’s work prompts questions of field, perception and memory. English utilises a variety of approaches including live performance, installation and found sound/vision to create works that generate subtle transformation of space and ask audiences to become aware of that which exists at the edge of perception.
For over a decade, English’s audio investigations have traversed a divergent path where musical and environmental sources are granted equal focus. His work calls into question the established relationships of sound and structure - field recordings and musical materials work in unison, acting as suggestive devices. Rather than prescriptive, English's sound work calls for the listener to construct their own narratives and impressions based on their personal histories and experiences. Published widely on respected imprints including Touch, 12K and Winds Measure, English's work is sculpted and overwhelmingly intricate. The Wire noted his 'use of space and silence is remarkable', and U.S. sound journal Signal To Noise described the Ghost Towns work as 'extraordinarily gorgeous modern music concrete'.
English’s installation and gallery practice is concerned predominately with challenging the understandings and expectations of site specificity, sound and media. His 2008 'Trio For Objects' exhibition presented three discrete sound installations (kinetic, prepared and sculptural) which when experienced in unison created a 'related sound field'. By contrast, the 3-screen video installation Ghost Towns, seeks to create an abstract 'virtual map' of remote Australian spaces. In 2006 English produced a series of sound art works specifically for the deaf and hearing impaired under the title 'Silence Listening'. These works were amongst the first of their kind in the world, exploring and examining the notions of isolation and sonic interaction within these oft-marginalized communities.
Lawrence also curates the burgeoning ROOM40 imprint and organises numerous events.