Howard McGhee热门歌曲下载

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歌曲 专辑 时长
1
My Delight (我的快乐) HQ Sharp Edge 09:56
2
Bebop HQ 02:57
3
Lover Man HQ Quasimodo. Famous Dial Sessions 03:22
4
Manteca HQ The Very Best Of 04:22
5
You HQ Opulent Event 02:39
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If You Could See Me Now HQ 06:05
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Dusty Blue Dusty Blue 02:53
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Sound of Music HQ Dusty Blue 03:22
9
Perhaps The Very Best Of 05:13
10
Fall Out SQ 02:48

Howard McGhee最新专辑下载

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Rums
Rums
2019-09-26
Congo Explorer
Congo Explorer
2019-09-15
Driver Songs
Driver Songs
2019-08-16
Piano
Piano
2019-07-10
Music Arena
Music Arena
2019-06-22

Howard McGhee歌手简介

by Scott Yanow During 1945-49 Howard McGhee was one of the finest trumpeters in jazz, an exciting performer with a sound of his own who among the young bop players ranked at the top with Dizzy Gillespie and Fats Navarro. The missing link between Roy Eldridge and Fats Navarro (Navarro influenced Clifford Brown who influenced most of the post-1955 trumpeters), McGhee originally played clarinet and tenor, not taking up trumpet until he was 17. He worked in territory bands, was with Lionel Hampton in 1941 and then joined Andy Kirk (1941-42), being featured on McGhee Special. McGhee participated in the fabled bop sessions at Mintons Playhouse and Monroes Uptown House, modernizing his style away from Roy Eldridge and towards Dizzy Gillespie. He was with Charlie Barnet (1942-43), returned to Kirk (where he sat next to Fats Navarro in the trumpet section) and had brief stints with Georgie Auld and Count Basie before traveling to California with Coleman Hawkins in 1945; their concise recordings of swing-to-bop transitional music (including Stuffy, Rifftide and Hollywood Stampede) are classic. McGhee stayed in California into 1947, playing with Jazz at the Philharmonic, recording and gigging with Charlie Parker (including the ill-fated Lover Man date) and having an influence on young players out on the Coast. His Dial sessions were among the most exciting recordings of his career and back in New York he recorded for Savoy and had a historic meeting on record with Navarro (1948 on Blue Note). However drugs began to adversely affect Howard McGhees career. He traveled on a USO tour during the Korean War, recording in Guam. McGhee also had sessions for Bethlehem (1955-56) but was inactive during much of the 1950s. He recorded some strong dates for Felsted, Bethlehem, Contemporary and Black Lion during 1960-61 and a quartet outing for United Artists (1962) but (with the exception of a Hep big band date in 1966) was largely off records again until 1976. He had a final burst of activity during 1976-79 for Sonet, SteepleChase, Jazzcraft, Zim and Storyville but by then Howard McGhee was largely forgotten and few knew about his link to Fats Navarro and Clifford Brown.

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