Jesus Jones

by Stephen Thomas Erlewine Jesus Jones murky mix of samples, pop, dance tracks, and techno resulted in one huge international hit single, Right Here, Right Now (taken from their second album, Doubt), that pretty much sums up all of the bands virtues — a strong melody and hook, with a flair for making the dance club overtones mesh with the rock guitar. For their flaws, turn to their first album, which suffers from muddy beats, shapeless melodies, and intrusive samples, all of which plagued sections of Doubt. But when Doubt worked, as it did on Right Here, Right Now, International Bright Young Thing, and Real, Real, Real, it showed that sample-driven dance club music could comfortably fit into pop music. Based on the platinum success of Doubt, Jesus Jones leader guitarist/vocalist Mike Edwards decided it was his mission to make techno palatable for the pop masses and recorded their follow-up album, 1993s Perverse, almost entirely on computer. The result was neither good pop music nor good techno; Jesus Jones subsequent fall from the top of the U.S. and U.K. charts was as fast as their rise to the top. After a long layoff, they returned in the summer of 1997 with Already. Initially, the album was only released in the U.K.; it was released in the U.S. during the spring of 1998. Three years later, Jesus Jones returned to form. With new members Alan Doughty (bass) and Tony Arthy (drums), Jesus Jones inked a deal with Koch and issued London in fall 2001.