Mac Wiseman热门歌曲下载
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歌曲 | 专辑 | 时长 |
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Mother Maybelle SQ | The Essential Bluegrass Album | 02:57 |
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Fire In My Heart SQ | Bluegrass Hits And Heartsongs | 03:15 |
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I Still Write Your Name in the Sand HQ | The Mac Wiseman Story | 02:59 |
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Christmas Time's A Comin' | 02:49 | |
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I Wonder How the Old Folks Are at Home | The Mac Wiseman Story | 03:03 |
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I'm a Strange | You're Sweeter Than Honey | 02:44 |
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I Wonder How The Old Folks Are At Home | Bluegrass Tradition | 02:52 |
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Because We Are Young | I'll Still Write Your Name in the Sand | 02:09 |
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You Are My Sunshine SQ | Mac Wiseman Plays Bluegrass Classics | 02:40 |
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Dreaming of a Little Cabin HQ | The Mac Wiseman Story | 02:52 |
Mac Wiseman最新专辑下载
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Standard Songs for Average People
2007-04-24
Great Folk Ballads
2000-01-01
Hits By Mac Wiseman
2013-11-15
Highlights of Mac Wiseman
2013-12-09
Bluegrass Hits And Heartsongs
2009-06-02
24 Greatest Hits
2009-07-03
Mac Wiseman歌手简介
by Sandra Brennan & David VinopalFamed for his clear and mellow tenor voice, Mac Wiseman recorded with many great bluegrass bands, including those of Molly ODay, Flatt and Scruggs, Bill Monroe, and the Osborne Brothers; his command of traditional material made him much in demand by bluegrass and folk fans alike. Wiseman was born in Crimora, Virginia and grew up influenced by traditional and religious music and such radio stars as Montana Slim Carter. Wiseman started out working as a radio announcer in Harrisonburg in 1944. At the same time he worked as a singer with Buddy Starcher. He later formed his own group and continued performing with others, including Molly ODay and Flatt & Scruggs, through the 40s. In 1949, he recorded a single, Travelin Down This Lonesome Road, with Bill Monroe. By the 1950s, Wiseman was again leading his own band.Possessing one of the best tenor voices in bluegrass, Wiseman differed from Monroe and Flatt & Scruggs in that he usually sang alone, with little or no harmonizing. His band also employed two fiddles to play contemporary songs such as Speedy Drises Goin Like Wildfire as well as adaptations of standards such as the Carter Familys Wonder How the Old Folks Are at Home and Mac and Bobs Tis Sweet to Be Remembered. With the Country Boys, a band that featured such pioneering musicians as Eddie Adcock and Scott Stoneman, Wiseman recorded many popular local singles, and had his first national Top 10 hit with his version of The Ballad of Davy Crockett. The songs success steered Wiseman away from bluegrass and more towards pop and country. In 1957, Wiseman began recording for Dot; he had a few major successes for the label with such songs as Jimmy Brown the Newsboy before moving to Capitol in 1962, where he recorded both country and bluegrass tunes. He began working for Wheelings WWVA Jamboree in 1965, and also began to play at bluegrass festivals; over the next three decades, he became one of the most popular performers on the circuit. Wiseman moved to Nashville in 1969 and signed with RCA Victor. His first — and only — hit for the label was the Top 40 novelty tune If I Had Johnnys Cash and Charleys Pride. While at RCA, he also recorded three well-received bluegrass albums with Lester Flatt. From the mid-70s on, Wiseman concentrated on bluegrass, becoming a fixture at festivals and releasing a series of records on independent records that ran into the 90s. In 1992, Wiseman narrated the documentary High Lonesome, a chronicle of bluegrass music, and in 1993 was inducted into the Bluegrass Hall of Fame.